This is a draft from my upcoming book on the new minimalist, brutalist and modernist typographies.
All images courtesy Matthew Rezac
Superlight (designed with Andrew Blauvelt)
The work of Matthew Rezac is marked by a work-horse typography that is supported by a visually rich approach to printing and photographic art direction. His publication designs especially take advantage of print effects to build upon a core concept. The exhibition catalog for the 01SJ digital biennial Superlight (designed in collaboration with Andrew Blauvelt) avoids the clichés that might be associated with digital art and instead concerns itself with “all things light”. The main typeface is a soft chunky serif that aligns the book with a more universal feel than purely digital art. From there, the book becomes an exploration of light—overprinting on black, tinted varnishes and translucent sheets are all used to explore this idea. Furthermore, the entire book uses the visible spectrum of light as an organizing principle.
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Low End Theory is a weekly party in LA bringing “psychedelic, glitch, avant-rap, IDM and dubstep” or that wonky beat science that LA’s been pumping out for a minute now and the resident DJ’s are no less than Gaslamp Killer, Daddy Kev, Nobody and motherf**king D-Styles (of Beat Junkies/Invisible Skratch Piklz fame).
They’ve been doing a monthly podcast since March of this year and they’re pure fire. Mixes from Gaslamp Killer, Mary Anne Hobbs, Dibia$e, Daddy Kev, SAMIYAM and more. The D-Styles mix on Episode #4 is worthy of multiple listens, for sure. First, I love it when these 90’s turntablist guys start repping dubstep—the results are always exciting when you hear that deep wobbly bass with scratching or more “pure” hip-hop references (see the Scratch Perverts mix for the Solid Steel show here where UK dubstep meets “Rock The Bells”. Insert evil grin here.). Furthermore, D-Styles is all over the place with Bad Brains’ “Ignition” showing up and some Lil Dap thrown in the mix. Nosaj Thing shares the other half of the mix and brings that signature dublab/ethereal beat magik.
All the podcasts are here or you can subscribe at iTunes.
Image ©2009 Cody Hudson
Cody Hudson is a Chicago-based painter/drawer/assembler who also works as Struggle Inc.—a designer/illustrator/assembler. His signature “soft modernist” style might have been the thing to kick off those giant geometric hand-drawn letterforms we all love so much. After years of a website with a “new site coming soon” sign hanging in the window, he’s finally opened the doors on it. Cody’s been at it awhile so clear out some time in your calendar to soak it in.
All images from struggleinc.com
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After rumors of a retirement and the kind of depressing Epicly Later’ds + WESC Calendar, it seemed like Gino Iannucci might be out of the game for the forseeable future, even if there was the glimpse of excitement in his eyes during the interviews for Guy’s Epicly Later’ds. But, then all of the sudden there are Crailtap + Berrics sightings and it seems like Gino is in LA as much as his probation allows and the assumption is he’s filming for the Chocolate video.
And now this. He’s back in classic form. Kickflip 5-0 to fakie. I can already see the footage in my head. Good to have you back, sir.