Adidas: Diagonal tour

December 2, 2009


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Flipping through last month’s Transworld reminded me of this video that I never really heard too much about. Which is wierd because it has footage from Dennis Busenitz and Silas Baxter-Neal, two guys who manage to make pushing look amazing. That’s in addition to comback trail rampager Pete Eldridge and ridiculous am Lem Villemin (I suspect he’ll be a full-on Chocolate am when the Chocolate video comes out. For his sake, I hope its not a protracted five-years-of-filming-Fully-Flared type deal.)

Anyway, this HD video tracks the Adidas team as they hit different cities for premiers of the Adidas euro video Diagonal. Tour videos are usually a nice diversion for 5–8 minutes, but these guys actually stack legit clips (with very little park footage) from Silas’ backtail on a waist-high Barcelona rail (just before the 4 minute mark) to Lem’s general willingness to throw huge flip tricks wherever, Pete Eldridge just doing his switch ollie thing and Dennis’ inability to not catch a legit clip regardless of trick or spot. Oh, and there’s actual footage of Tim O’Connor on a skateboard, plus some other Adidas cats catch wreck. I can’t find the credits but the filming and production are up to the standards of everything that Adidas has been doing lately. My guess is the creative direction is by Matt Irving and Juice Design and Eric Noren is on filming detail.

All said, a good way to spend the next 5 minutes.

You can also download the video here.

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Matthew Rezac

December 1, 2009

This is a draft from my upcoming book on the new minimalist, brutalist and modernist typographies.

All images courtesy Matthew Rezac

Superlight (designed with Andrew Blauvelt)

Superlight (designed with Andrew Blauvelt)

The work of Matthew Rezac is marked by a work-horse typography that is supported by a visually rich approach to printing and photographic art direction. His publication designs especially take advantage of print effects to build upon a core concept. The exhibition catalog for the 01SJ digital biennial Superlight (designed in collaboration with Andrew Blauvelt) avoids the clichés that might be associated with digital art and instead concerns itself with “all things light”. The main typeface is a soft chunky serif that aligns the book with a more universal feel than purely digital art. From there, the book becomes an exploration of light—overprinting on black, tinted varnishes and translucent sheets are all used to explore this idea. Furthermore, the entire book uses the visible spectrum of light as an organizing principle.

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Following up on our last post, here’s a quick interview Seu Trinh of Transworld did with Debacle director Jason Hernandez on naming, filming and uh, yeah, that’s about it. Oh, and how to avoid getting tickets.

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Nike Debacle: bonus footage

November 26, 2009

NikeDebacle

Nike SB’s HD video project Debacle (watch it after the jump) is clearly in the running as 2009’s best video for pretty much for all the reasons that its not their 2007 video Nothing But The Truth (the reviled SB debut that was so bogged down in ambitious but ultimately irritating sketches that the actual skateboarding seems to have been stricken from the collective memory of skateboarding even though you had sick parts from Omar Salazar, Todd Jordan, Lewis Marnell, Chet Childress and Stefan Jonaski amongst others. Considering that the packaging was pretty beautiful, maybe they just need a re-issue minus the sketches…). Lean and mean clocking in at just 23 minutes with full-parts from Nike ams David Clark, Daryl Angel,  Shane O’Neill, Grant Taylor, Justin Brock (the last two since been made pro) and a Theotis Beasley cameo, its all high-energy gnarliness with no clear stand-out—definitely a good thing.

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A couple of months ago, Nike unleashed the first extras footage (check it out after the jump and actually better than the newer batch) and now they’ve dropped another 4 minutes worth and its great stuff. First off, they’re properly edited pieces and not just a bunch of clips collaged together and second, it shows just how hard these guys went after footage. Justin Brock just stacks footage—that smith grind to gap out at 00:48 is killer; Daryl Angel continues to prove why he’s so talked about (and its clearly more than the oft-cited “he’s a d**k”), I love the jersey barrier line at 1:39, and Grant Taylor is just ill—he’s up there with Alex Olson for having a bag of tricks and a style that puts him more in league with Julien Stranger than Sean Malto (whom we also love over here at jnhdotcom, albeit for different reasons.)

Bonus footage #1 and full Debacle vid after the jump.

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I haven’t been to Providence since Donny Barley moved to town and opened Fountain of Youth, the first skate shop in Providence since Lunasea closed in the mid-90s (I think that was the last one) but watching this video makes me want to move back to Rhode Island. You can just see that crisp Fall air in this footage.

In all honesty, its not terribly exciting, just a competently filmed bro-tage with a few highlights like Grandison Taber’s (sp?) over-all steez and the step-hop wallride, any Donny Barley footage, my homie from wayback (and Solstice skate shop proprietor) Jay Vasconcellos (looking a bit like this guy) with that chain ollie to manual and Kevin Lynch’s lipslide. But the real money is on this:

Erick Pupecki

Yeah, you read that right. Eric Pupecki. Two clips at about the half-way point. Judging from the huge and fast wallride dude still has it. Can we get this guy on Chocolate and back on a skateboard-related payroll or what?

Fountain of Youth: Fall Fun montage.

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Low End Theory: podcast

November 25, 2009

Gaslamp Killer and Ras G podcast cover

Low End Theory is a weekly party in LA bringing “psychedelic, glitch, avant-rap, IDM and dubstep” or that wonky beat science that LA’s been pumping out for a minute now and the resident DJ’s are no less than Gaslamp Killer, Daddy Kev, Nobody and motherf**king D-Styles (of Beat Junkies/Invisible Skratch Piklz fame).

They’ve been doing a monthly podcast since March of this year and they’re pure fire. Mixes from Gaslamp Killer, Mary Anne Hobbs, Dibia$e, Daddy Kev, SAMIYAM and more. The D-Styles mix on Episode #4 is worthy of multiple listens, for sure. First, I love it when these 90’s turntablist guys start repping dubstep—the results are always exciting when you hear that deep wobbly bass with scratching or more “pure” hip-hop references (see the Scratch Perverts mix for the Solid Steel show here where UK dubstep meets “Rock The Bells”. Insert evil grin here.). Furthermore, D-Styles is all over the place with Bad Brains’ “Ignition” showing up and some Lil Dap thrown in the mix. Nosaj Thing shares the other half of the mix and brings that signature dublab/ethereal beat magik.

All the podcasts are here or you can subscribe at iTunes.

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Cody Hudson/Struggle Inc.

November 24, 2009

Image ©2009 Cody Hudson

Image ©2009 Cody Hudson

Cody Hudson is a Chicago-based painter/drawer/assembler who also works as Struggle Inc.—a designer/illustrator/assembler. His signature “soft modernist” style might have been the thing to kick off those giant geometric hand-drawn letterforms we all love so much. After years of a website with a “new site coming soon” sign hanging in the window, he’s finally opened the doors on it. Cody’s been at it awhile so clear out some time in your calendar to soak it in.

All images from struggleinc.com

View more images after the jump [click to continue…]

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Gino.

November 23, 2009

Click image for full-size

After rumors of a retirement and the kind of depressing Epicly Later’ds + WESC Calendar, it seemed like Gino Iannucci might be out of the game for the forseeable future, even if there was the glimpse of excitement in his eyes during the interviews for Guy’s Epicly Later’ds. But, then all of the sudden there are Crailtap + Berrics sightings and it seems like Gino is in LA as much as his probation allows and the assumption is he’s filming for the Chocolate video.

And now this. He’s back in classic form. Kickflip 5-0 to fakie. I can already see the footage in my head. Good to have you back, sir.

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